I got hooked. I hear quality rhymes on a regular basis, so this effort isn't really stunning me because of the poetry. It's latching onto me because of the balance. It's captivating me because there's a little bit of everything; there's wit, charisma, style, experience, and chemistry that reaches beyond the duo. I want that last bit to be perfectly clear, the bond these people have formed reaches through each featured artist. That's the magic.

Stream courtesy of Diamond Media 360

The entire EP is a great listen, but I don't feel it's essential to hear it from start to finish. If you've got the time, by all means, stream away. If you want a quick opinion, I'd skip ahead to Life is Good, Panoramic, and if you're really into verbal expression, We'll Survive This.

Life is Good is my personal favorite, we've got Rick Gonzalez and Chuuwee demonstrating that chemistry, and DJ Concept's top notch production. Panoramic features Torae, and I see it as Concept going real hard for some of the fans. Finally, We'll Survive This is Rome Clientel's written talents placed with just enough music to keep you, but mostly with nothing but words to bind you to the track.

iTunes | Amazon
I'm not loving the statement on the big picture. This time, though, I know it's not just a matter of personal preference. I admire that they want to send a positive message, that they want to help the listening public, but I feel they could have done a lot more. With all the talent overflowing, with everything they have to offer, I was expecting more than "You can do it if you set your mind to it" but then, at least they're offering something worth listening to. That's enough to make the album worth it.

Find and keep up with them on Facebook and Twitter.
D4AM received a Facebook message from Danny Shyman because his friend (thank you, Dean) raved about the Julietta - Conquest review. Before Danny— we'll now be referring to him as Whiterosethere had only been one person to come into contact via Facebook and show genuine musical potential. What I'm getting at here is that selling yourself via Facebook is unprofessional and usually, maybe 95% of the time, means your music is terrible, so I wasn't expecting his single to be as addictive as it is.

Alright, great rant, D4. Tell us who Whiterose is.

I mean there's not much out there, but essentially he's been producing music for other artists for over a decade. What we've got here is a seasoned beat-smith in need of PR representatives to manage his upcoming success. I'd say he also needs a chill-pill, but his eagerness will undoubtedly form part of that success. Sorry, shy artists; knowing what you're capable of really helps you out.

Waters Fall is the subtle kind of hip-hop production. The density of the piano is calculated, the percussive beat to it is solid, but what makes the track for me is Chris Littlefield's trumpet and flugelhorn. Somehow the mix ends up eating at your time. Three minutes fly by me like half its time, every single time I listen to it.

Next, it's important to note this isn't a single, this is the single. The first self-released, completely owned, independent single by Whiterose. Ever. Normally you think introductions start slow, but his plan is to release one track a week into bite-size EPs until those EPs make an entire full length album. Expect 20 songs or so by the end of it.

Stream/Buy @ Bandcamp
Within the short conversation we had, he seemed a little overconfident that Waters Fall was just a drop in a bucket compared to what's in store. Honestly, if he's not just ego tripping, we'll probably show off those future projects, or at least the best of them. Hopefully from here to there he'll be easily accessible through social media. Until then, you're just gonna have to show your support by purchasing the single, or by keeping a steady eye open at D4AM for that upcoming EP.
This is indie rock with a very pop twist. It's the nice kind of pop that blends with acoustics and jazzed vocals. She's not exactly a jazz singer, but as a singer-songwriter Rebecca Everett's talents stand out as those to keep an ear on.

Her band, The Dead Ringers, are what complete the album. Actually, I'm a little baffled their name isn't spread out more on coverage. Maybe Rebecca's the mastermind, the glue, and the charisma, but without this band I find the overall success pretty difficult.

The title track, the album's opener, is the most honest. If you're not feeling it, the album might not be for you. That one's followed by Sting of a Kiss which has a dark and seductive form to it, it shows a different side you might appreciate more.

Seven Shades as an EP is kinda sorta so-so for me. I can hear it all the way through, I enjoy it, I absolutely love the instrumental intersections, but I'm not sure the focal content was meant for my kind of mindset. If you're a big fan of well written lyrics, you probably won't find any issues with the effort.

Stream/Buy @ Bandcamp
There was a moment somewhere in the middle where I felt the generic acoustic pop guitar play, and even though I acknowledged it was well composed, I felt it could easily be mistaken for another song. That was the lowest low on the EP for me, and frankly, it only lasted a few seconds. Give the stream its well deserved listen, and consider the purchase if you like what you hear.

You can keep up with Rebecca Everett on Facebook.
You start paying attention when the magic slaps you across the face. The first time I heard Rich Quick, I heard No1, a single good enough to post on socials. It's not too difficult finding hip hop with quality production, but matching that with equally powerful lyrics will always be the main selling point.

It's several months later and his debut LP is out, and while I wouldn't say the track list is impeccable, we do have a frequent admirable combination of quality rhyme with well prepared production. I think my favorite track right now is Get A Grip, and I think it's about as good an introduction to Rich Quick as No1 is.

It's one of those tracks with the all the powers. We've got sweet funked out beats, the charisma and flow of a seasoned veteran, and an honest connection with the audience. Part of the genre's magic is relating to the artist, empathizing on some level, and RQ pulls it off more than once on the album.

The album isn't hit and miss, it's got a nice upwards flow to it and it's eager to keep your attention, but it does flake in some areas. Nothing we shouldn't expect from a debut, but I worry about the inclinations. There's a lot of pop tendency scattered around, and there's moments where I didn't feel like paying attention. It might be nothing, or it might be trouble empathizing with a certain demographic.

iTunes | Amazon
If you listen from start to finish, it might feel a little lengthy. Luckily, the content is mostly original, the style is top shelf, and the production nails it more often than not. If you dug today's track, I recommend the listen, you can stream the effort in full on Soundcloud.

Once you realize the quality of the talent and the potential, you'll wanna tag along on Facebook and Twitter.
I've been sitting on this alt-rock gem for longer than I care to admit, and all because I wasn't ready. In truth, my opinions on the album have shifted after every listen, but it's always a good sign. Little Red Lung have found a way to bring you a different sound depending on your mood, and it's about as handy as having artwork tailored for your ever-changing emotions.

Luckily, any favorite songs tend to stay that way. There's two tracks on the album that capture me every time on several levels. The first is Porcupine Sheet, a near-experimental track with special effects and interesting melodic twists. The second is today's feature track, Dead Weight.

Dead Weight has a way of swirling from the very beginning, capturing your ear and dragging it along for the story. It also has some progressive tendencies and some very playful moments, but I feel it's much smoother, both in transition and in melodic elegance. It might not be as rock & roll as some other songs, but it's a wonderful listen outside of genre molds.

If you keep listening from Dead Weight onward you'll also hear the quality of the album's mixing/mastering. From one track to the next you've got nothing but quality, the gaps are strategic and the lack of them are inspiring. Every aspect of the album's creation has been thought of, nothing is under-done, this was created for the listeners as much as it was made for themselves.

Stream/Buy @ Bandcamp
There are moments in the album that feel an odd kind of spontaneous to me. There's a difference between jazz improv and curiosity, and what I'm feeling here is curiosity gone right. It's not a bad thing, but it's not as good as I'm sure future albums are going to be.

There's a limited edition vinyl I'm tempted to grab myself, right over on their Bandcamp page. It includes the lyric sheet, a sticker, the digital download, and it's definitely reasonably priced.

You can also show your love for the band by tagging along on FacebookTwitter, and Tumblr.
I've been listening to The Underachievers since Indigoism, their debut mixtape. There was a ton of hype but I wasn't really that impressed. I kept the album, but I felt a lot of potential and not enough promise. I've kept my ears ready for them, and with this effort I can say they've grown into something I can really appreciate.

Their debut music video contains chunks of three different songs, which is great if you're like me and you know they're talented but you want a peek at what Evermore could be. I find it honest, so pay attention to all three singles to see how the album might suit you.

I think the divisions are unfair. For example, Rain Dance is one of my favorite tracks on the album, but its placement on the video, however impressive it may be, doesn't do the track justice. I think similarly of Chasing Faith and Allusions, but there's more magic for you to hold onto with those, especially with such an excellently directed video.

As far as the rest of the album is involved, it feels lengthy. Evermore: The Art of Duality, can also be the everlasting art of taking too long to say too much. There is such a thing as the perfectly timed album, and with better supervision this album could've had that to add to its repertoire of great producers and excellent rhymes. The fact that this is my biggest complaint means most hip-hop aficionados should be ecstatic, not many out there listen to an entire album nowadays to begin with.

iTunes | Amazon
Years ago I anticipated the death of quality rhyme as music. It's because of albums like this that I've changed my mind. It's not just talent, it's honesty, and it's because of that honesty that drugs are such a frequented topic. It could get a little tiresome for many, but it could be the most interesting subject for everyone else. The truth is it takes an open mind to appreciate their messages, but that doesn't mean they weren't looking to reach for everyone.

Unfortunately, listening to this album outside of Spotify is next to impossible right now, though you could hear a couple of today's tracks on their Soundcloud for the time being. If you use Spotify, give them a stream. If you love rhyme, you won't be disappointed.

Otherwise, find The Underachievers on Facebook, Twitter, and Instagram, for the latest merch, music, and tour info.
They're calling their sound future pop, which to me feels like a statement. To me, it feels like they're saying the future of the genre looks like sophisticated electronics merged with poetic lyrics and better-than-average vocals. I can only hope this is the future of pop, otherwise we're gonna need a lot more out of Kamikaze to hold us over until the next future-genre arrives.

There's a handful of amazing tracks on the effort, and the effort is built out of a particularly large handful of tracks. Just hit play, the first song, Half Vision, is probably the perfect album-opener. Other impressive single-worthy songs could include the title track, Strange Echoes, and Crestfallen.

I think it takes matured taste in music to really appreciate what the Swiss duo are offering here. We've got jazz musicians playing with synths and general electronics over the course of six songs and one great remix. During this time they'll play with your expectations in such a way that lures you into the EP while constantly refreshing your palette.

Find Kamikaze on Facebook and Twitter. If you're a big enough fan, see if you can catch them live.
London based singer-songwriter Connie Constance has been buzzing for more than just a few weeks now. With the recent release of her In the Grass EP, I decided to give her an honest chance, and while it was difficult to find, it was a worthy experience.

There's only one track available for public stream outside of Spotify (for the time being.) The lead single Stars is definitely the best of the three tracks that make the EP, but that's not saying much because Stars is a pretty exceptional track.

The lyrics are pretty excellent, the music fits perfectly into them, but it's all about the story and the production for me. Her voice is strong enough to carry a message without overwhelming you, and the production layers sounds with such finesse that it's easy to lose yourself in it if you pay the right kind of attention.

I wouldn't say the following two tracks are of equal quality, but it's up there. There's moments you can tell need some more definition, and some moments that seem very under-cooked, but I think a lot of that has to do with the fact that it's just three songs long.

iTunes | Amazon
The EP is gonna be worth it for those of you who love the indie swing of a singer-songwriter, but also appreciate the finer aspects of digital production. I don't think indie-soul would be a far-fetched genre for what Connie has brought us.

If you do have Spotify, I definitely recommend the stream. Otherwise, let Stars be your guide. If you absolutely adore the single, you're probably really going to enjoy In the Grass. If you're unsure but you like her enough anyway, show some support by tagging along on Facebook, Twitter, and Instagram.
This has been my first Andy Mineo experience, so I was a little uncomfortable myself when I realized he was a legitimate Christian rapper. It's not that I'm opposed to it, it's just that he was presented to me as a rapper, and then I heard the title track. The thing about the title track is it actually shows off the entire direction of the album, musically and lyrically.

Some moments are a little too commercial for my tastes, but when talent calls, Andy brings and piles it together in ridiculous amounts. It was just as unexpected as the well defined Christian values, and probably as easy to hear for the common listener.

The refreshing part is it's Christian rap without being too direct or trying to convert anybody. Not all songs are about his higher power, they just all have those details and honorable mentions. It's written in a way that's meant for everybody. I find that very honorable.

iTunes | Amazon
I still don't know how I feel about the album as a whole, and I've been listening to it for a while already. So the lyrical content isn't always my cuppa, but the quality of the words are top notch. The produced music is often generic enough to hear echoed around the radio, but is also perfectly capable of swinging hard and leaving you speechless.

Needless to say, this is one of those albums that, if the above information wasn't enough to settle it for you, you're just gonna have to try out. The title track is really an accurate representation though. Otherwise, you can find it on Spotify.

If you end up loving it, show your support. Find Andy on Facebook, Twitter, Instagram, and Tumblr.
Brooklyn based duo Grumby let this one out about a week ago, I've been dissecting it. The beats are at the forefront, that's their comfort zone, but the jazz twists make the EP whole for me. A bit of a hip-hop background doesn't take anything away from the music, this is much more musical than lyrical.

The effort starts with a short ambient-ish jazz-y intro, Solitude, that sets the mood real early only to have it distort into something a little heavier. To show that side off, You, my favorite track, steps in and recreates that mood.

There's just something about Hollywood Anderson on that track that fits so very smoothly to me. From there you'll hear the lead single, Refuse, and the remaining three tracks feel like variations of what you've already heard. I kinda started drifting from the effort near the end, but the release is at the perfect length to let itself be enjoyed in full. You'll see.

If you like the way it sounds so far, consider buying it on iTunes.
Show your support. Keep up with Grumby on Facebook and Twitter.
The first five seconds I heard Mazde and LissA I could have sworn I wasn't going to even mention them. Instantly, I felt a commercial push and a lack of originality, and honestly, I was judging the book by its first page. I was wrong. That doesn't mean they're not best suited for the masses, they are, but they do it right.

That first song is today's featured track, Pitch Black. Some of you might hear it, others might just slip right into it. The only thing that really matters is that by the end of it you're bopping your head and you're not feeling guilty about it.

Let's spell out what we're hearing here. Mazde, a 21 year old who's been trained in both classical and jazz composition from the age of six, made a three track EP with LissA's lovely vocals. They're not a duo here, they're simply showing off the future of musical collaborations. It's a wonderful sight for those of us who prefer to keep things fresh by witnessing artists in constant evolution.

If you're liking the single, you'll probably enjoy the album. Stream it on Soundcloud, it won't take much of your time and you'll more than likely enjoy the trajectory.

iTunes | Amazon
This effort is electronic elegance. It's not the best EP I've ever heard, it doesn't stand out enough to merit any form of ridiculous praise, but it's really well composed and it serves for more than just background music at a fancy party. This is great to drift away with, and they're not treating your ears as if your taste lacked sophistication.

You can follow Mazde on Facebook and Twitter. You can follow LissA on Facebook, and if you're curious enough you could catch her Soundcloud as well. Mazde will be touring a bit with Odesza this October, be sure to look into it if you're curious enough, I believe all of the very few dates are in Europe, but there's no harm in checking for an update, is there?
GoldLink just released this sweet little video in anticipation of his upcoming effort And After That We Didn't Talk, and his upcoming tour with Mac Miller who also just released his latest effort today. Give the video a quick look and see if it doesn't keep you glued.

The video is captivating, honestly. It gives a different spin on a very graphic track. My admiration comes when not only is the video tasteful, but the sex-driven lyrics are also about as classy as you can get with the nature of these lyrics. As much as I hate teasers, this single does an excellent job of hyping up the upcoming album. If the album's as good as we hope it to be, you'll see it right here on D4AM upon its release.

If it motivates you enough, I'm positive GoldLink's gonna be on the tour with Mac Miller from October 6th until November 13th. Mac's gonna be on tour before and after that, so check out the dates here and catch whatever you can.
River Tiber brings an amazing slowed down production over generally excellent talents, the five track EP is such a stunning display that my only real issue with it is the fact that they're calling it alternative blues. A melancholy state doesn't automatically mean blues, but I guess I kind of understand what they're referring to.

For the sake of me, let's just call it digitally slow-cooked soul. The brew seems simple but shows many hooks and details you won't notice on your first listen. Go ahead, give it a stream and take it all in, but realize there's more depth to it as you do.

There are moments on the EP that make me think of curiosity. Moments that feel like recorded chunks of experimentation gone right, and then allowed to flow. It more rarely sounds like the idea was achieved on purpose, but maybe that's the point. Maybe that more relaxed melodic sway is the reason the album is so addicting.

I've found all five tracks suit different moods best, which is great because they're also mixed well enough to mesh with each other just as easily. This being said, I'll understand if you're not entirely feeling the effort from start to finish. I think the opening track is a great introduction, but sometimes songs like Let You Go just work better the first time around.

iTunes | Amazon
I wouldn't call it juvenile, but the spirit of When the Time is Right is definitely youthful. It inspires curiosity over a relaxed state, so it's a very intriguing listen no matter how you try to hear it. I recommend the stream if you love that general down-tempo-y vibe, and I recommend it even more if you like indie-ish vocals over well produced electronics.

After you've decided you love the effort, after you've made it yours, you can continue showing your support by tagging along for future releases. Find River Tiber on Facebook, Twitter, and Tumblr.
Angel Haze demonstrates steady evolution in her latest mixtape. She still hasn't perfected herself, but her rhyme flow has gotten a lot smoother, and her lyrical content keeps its originality. The only faults I can really hear involve the studio production and a possibly dated ideal. None of that matters because the album goes hard and gives us listeners what we want, plenty of quality.

Without getting past its title, Babe Ruthless is self-explanatory. This track's a thick display of talent, aimed at anyone and everyone. This is one of those tracks that feels like a 10 year old reboot, but that's part of the magic, part of her style. Frankly, I prefer it have some vintage shine than some of the cheap production a lot of rappers are resting on lately.

If there's one thing that's truly consistent, beyond everything else on the effort, it's rhyme flow. There are moments of conversation that are so well spoken you could confuse them for spoken word (or maybe it's vice versa.) The actual message isn't necessarily as impressive, or the purpose of it all, but she stuck it out, she does have something to say, and she puts it together in a way that makes you want to listen.

Let's not take anything away from the content either, I'm so happy she can bring even more to the table than she already has. There are few repeated ideas, even less generic ones. I fear she might be running out of things to say, not for lack of inspiration but by lack of experience.

All I can ask is for her to gain experiences by the next album. Maybe exaggerate on the tours, maybe just adapt to a different life style, but I'm starting to see patterns and I know her talent is greater than what she's offering. If this one's any indication, I'm sure the next effort's gonna be twice as good. I'm just gonna sit here waiting.

You can stream Back to the Woods on Soundcloud. Keep up with Haze on Facebook, Twitter, and Instagram.
I grew an intense admiration for Mike Love when I heard Permanent Holiday as a live HiSessions display, months ago. He was able to create the music from the very base of it, incorporate extremely well thought out lyrics, and present himself with enough charisma to seem as humble and deserving as you could be. It's several long months later, the release of his latest album is finally easily available for stream, and his core talents are alive and well in it.

What sold me wasn't just the quality of lyrics and music, it's also the reality of it. There's come a point where you've stopped expecting reggae music with classic Rasta values, and this is all original music about love and understanding in a variety of different ways. My surprise when I heard Rastafarian phrasing settled the matter, in my eyes.

I Love You shows just about everything I've been mentioning. It also shows some of the commercial principle on the album. It can get a lot more intense throughout it, but it's never really pop. Certain sounds, melodies, and ideas, were simply made to be heard by more people. It's a little unsettling for me, personally, because I can also say he's made the most commercial album I've been able to enjoy since my early teens.

I want it to be very clear, especially the second half of this album is very commercial. It goes from straight reggae to whatever you want to call it when a singer-songwriter makes music for VH1. Because of this, the entire album won't be for everybody. Some people will be open minded enough to try it, some will love the reggae, some will love the acoustic interpretations, but every song deserves to be heard so whatever you do end up enjoying, you're doing yourself good.

iTunes | Amazon
You can stream the album in full on Soundcloud or Spotify. Test it out and see if it's for you. It's not every day you hear an album produced for the masses with so many eight-minute songs. If you like what you hear, share the love.

Keep up with Mike on Facebook, Twitter, and Instagram.
All Peak Run is that kind of EP that starts itself off by intriguing your ears and finishes at a legitimate rave at some abandoned city in a giant watch tower with way too many drugs and flashing lights. This isn't to say you need drugs to get to the end of it, I just mean that's exactly what you'd expect. It's real electronica, real house, real experiments and ambient sounds.

My preference is the first half, just because it's easier for me to get to. That second half is best suited for a specific mood, a mood where your mind is ready to focus and when your body is ready to dance. That's just me though, if EDM is your thing you'll be loving every minute of this.

You can also stream it on Soundcloud

There's something about those first two tracks that feels like glory to me. It reminds me of the first times I heard glitch, or the moments when I truly started to appreciate well produced bass. It's the magic of the transitions and their energies, and the magic will be there to keep you until the end, regardless how different that ending is.

Don't shy away from the new experience, sink into it. Once you're done with it, keep it somewhere. Bookmark it for future reference, give it another try when your brain flips the switch and decides it wants something exactly like this. Once you love it, buy it, the support is gonna help propel Foreground Set to an even brighter future.

You can keep up with the Norwegian producer via his Facebook.
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